Just ask and I'll share them with you. An Air Force combat veteran of World War II who had flown bombing missions over Germany and Nazi-occupied France, he spoke fearlessly and with invigorating, edgy candor. A lovable diamond-in-the-rough, Casasanta was a good-hearted, down-to-earth figure who transformed his South End neighborhood bar into the Club, an unpretentious nightspot that took its name from its address at Maple Ave.
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Another key pillar of jazz in Hartford was Al Casasanta whose precious legacy for the music was his now legendary Club, one of the greatest, most nourishing hothouses for jazz the city has ever seen. So what are you waiting for, an open invitation between their legs? His ature mix of chic and substance attracted the smart set from Hartford as well as from the surrounding suburbs, audiences with New Yorker magazine-like demographics in terms of education and earning power.
Not just 60 or Harfford years ago, but right here and now in this present, fleeting moment. Or so it was perceived by more prudish tastemakers and rigid gate-keepers of culture and the then grooveless groves of academe. Six months after leaving New Haven, Miller was dead, disappearing mysteriously on a flight from England to Paris where he was scheduled to entertain the troops.
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As a concert-producer, Brown, a globe-trotting professional bassist, brought an amazing array of talent to town, including Thelonious Monk, Bill Evans and the Modern Jazz Quartet. The history of jazz in Hartford not only has a great narrative line, but is also packed with a colorful cast of leading, dedicated characters, in addition to such prime movers as Fine, the McLeans and Brown.
All that wide-spread jazz activity in Hartford and elsewhere in the state was an accurate barometer of national popular tastes of that period. As it is today with its array of conservatory-trained practitioners, Hartford even back then was hip, no mere provincial outpost suffering from a cultural cringe just because it happens to be located half-way between the mega-metropolises of New York City and Boston. Lifting the level of discourse to new, challenging heights with his mellow-toned radio voice and his sometimes combative ature style of intellectual and street-smart hipness, he evangelized, always passionately and often provocatively, for modern jazz, both on the air and with his many blue-chip concert presentations.
No one ever said jazz was easy. If you want to step outside your comfort zone at a swingers club in Connecticut, come check out The Society and many more! A world-class artist Cassarino deed astounding, sonic architectural structures in the air by building on the virtually infinite possibilities of an note Steinway grand.
Casasanta, who died at 63 inwas loved by musicians who worked for him a most rare experience for a club owneras well as by his patrons who idolized his cramped, gritty club much the way devout Red Sox fans are forever devoted to Fenway Park. Growing impatient with his stateside duty, the patriotic bandleader volunteered to play for the troops overseas despite the obvious danger.
Other vital life-s statewide include the nationally heralded Litchfield Jazz Festival LJFa creation of one of the greatest behind-the-scenes forces in Connecticut Hatrford history, Vita Muir. Especially so when looking back on jazz, an art form that since those long gone halcyon days, has been frequently diagnosed as very close to death, its financial status often hanging by a thin thread. Dezron Douglas All of these historic figures and other shakers-and-doers and many complex economic, social and cultural forces, have somehow transformed a medium-sized city like Hartford into a wonderfully and disproportionately ificant factor in the wide world of jazz in This is where the FWCS comes into play.
Fega, who spoke his razor-sharp mind candidly and caustically, caused a much needed stir in a too complacent jazz community after arriving here in the s.
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Another tangible and delightful of the present day Golden Age is the vast array, almost a glut of first-rate concerts and festivals offered in Hartford and throughout the state itself. His body was never recovered. Through the best of times and the worst of times financially, Casasanta stuck tenaciously and courageously with jazz for years even though good friends and advisers constantly implored him to dump jazz—rarely ever much of a money-maker—and go after easy money by turning the into a topless bar.
Art Fine, another one of the central, behind-the-scenes forces on behalf of jazz, and his circle of jazz-loving friends frequented the Heublein in the s, a congenial spa to have a drink and hear jazz greats like Dave McKenna, Roy Eldridge, Teddy Wilson, Zoot Sims or Cannonball Addelerley. The festival, which is rooted in deep pride and vital consciousness of the history of jazz in the Elm City, loves to present headliners with New Haven roots.
It was a time when jazz—yes, jazz—had massive public appeal everywhere from concert halls like Carnegie Hall to local gin mills and juke ts. John Scofield By day, the was a blue-collar neighborhood bar, a kind of Cheers where everybody knows your name. Thanks to the empathetic ear of its Executive Director Will K. It's the best gate to sex dating!
Even if you hate jazz, it would be hard to avoid it in town. Most ificantly, he did much good for jazz in Hartford before moving in the s with his wife, Muriel, to Delray Beach, Fla.
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For them it seemed stocked with fine players, skilled rhythm sections, and, conveniently, was a relatively short drive or train ride from New York or Boston. A humorous man of intellectual substance, he accentuated his elegant manner swibgers smoking his favorite brand with a cigarette holder held and bandied about in the grand gestural manner of FDR.
Gary Miller, a now retired senior minister, and, in recent years, for the many pro-jazz stands affirmed by Hartfird bold deeds of Steven Mitchell, minister of music and arts.
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Fine died in late at 96, but his legacy lives on through the HJS, a remarkable accomplishment for a man who never played a note in his life. Very open minded global person with years of swinging experience. Every week, he consistently presented jazz and folk greats, introducing Hartford audiences to such young, then unknown performers as Harry Connick Jr. Their website is crisp and responsive and full of events and CT swinger parties where you and your partner can enter a whole new wet and wild world of filthy fetish fun!
afrrican Miller, who was then a captain, formed and led the th Army Air Force Band made up of servicemen who had been musically skilled civilians before Hsrtford war. Gifted musicians back then taught themselves how to improvise by listening to recordings of the masters and by playing at jam sessions where they learned hands-on from their elders, a generational method of learning and teaching as ancient as the medieval craft guilds.
A raconteur and bon vivant, Malcolm-Smith was a genuine 20th century Hartford wit. Charlie Parker Visiting jazz giants like Charlie Parker and Coleman Hawkins were among a host of jazz titans and semi-titans who thought of Hartford as a happy stomping ground.
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Taking sfrican few steps down Asylum Street and into an inviting restaurant, you might walk-in on the awesome musings of the marvelous, Hartford piano virtuoso Ray Cassarino. It was the place where many young promising musicians, like alto saxophonist Sue Terry and flutist Ali Ryerson, gained invaluable experience jamming in a challenging, live setting with such seasoned, regulars as DePalma, the colorful vibraphonist Matt Emirzian and the inventive drummer Larry DiNatale.
Jazz Haven, with staunch jazz warriors like Doug Morrill often at the forefront, has helped keep jazz alive in New Haven, much as The Hartford Jazz Society has done in Hartford for more than a half century.
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It was on the radio and even on the silver screen. At its zenith in Hartford, jazz was everywhere and for everyone. Its shock of the new qualities were just too shocking and too new for skeptical critics and elitist listeners who, nearly as far back as years ago, found it noisy, noisome, uncultivated and uncouth. Today, of course, the classroom has enormous impact in perpetually rejuvenating jazz through widespread education programs that yearly produce fresh armies of highly trained swingerrs and composers.